Hello to all from me tonight here ........ ...!!!!!!!!!!!!!!!!!!!!!!!! 
Friday, October 29, 2010
Listerine Accidental Swallow
ARRIVOOOOO
Hello to all from me tonight here ........ ...!!!!!!!!!!!!!!!!!!!!!!!!
Hello to all from me tonight here ........ ...!!!!!!!!!!!!!!!!!!!!!!!! 
Wednesday, October 27, 2010
Soul Silver Best Hack
'Step up' (3D)
INTRODUCTION:
The film that I propose today is certainly not a typical film that deserves the definition of "invincible" or "unique", but then I do not believe in discrimination in the film "judge and" ingiudicabili "and then in the following lines I will endeavor in its description and analysis of this feature, just like I did with any other movie, I just hope that the 'whole' is interesting.
PLOT: After a starting
know where some of the protagonists of the film explaining what is and what dance means to them, we find ourselves in the midst of a battle to the sound of dance steps including Robert (Adam Sevani), a student at New York University called Muso and some street dancers.
Muzzle scatenatissimo will be launched in fray and will prevail on the leader of the feared Samurai, but two police officers poured into the middle of the exhibition with the intention to arrest him degrade the triumph. Muzzle
will give way to escape aided by Luke (Rick Malambri), a guy who was filming with a video camera impressed by his skill and a talent that might be useful, given that both he and his coterie of dancers are going to be evicted from their meeting, if they find time to take the amount required to stabilize the rent arrears. The only way to gather enough
the amount needed to win one of the most spectacular team competitions in the city, which will compete on the dance floor different crew of dancers, even Luke with his Pirates aspires to the title and the prize and the opportunity to recruit and muzzle Natalie (Shami Vinson), a girl with beauty and talent that for some time visiting the refuge Pirates.
REVIEW:
"Step Up 3D" is the third episode of the 'saga' (if such can be defined) to dance on all those types of dances called "street" even though in the latter film are numerous variations between the the most important music, which is more typical of the nn world of hip hop or break battle, but is usually derived from the electronic music or modern dance (so not really a genre hip hop ...!). So this film can be easily defined as a "film soup" in which there are only nn break dance or hip hop, but the parkour (the sport spread from qualke years on the outskirts of the Italian cities) and many other items that do not concern definitely the theme of dance such as the interest in film direction shown by the protagonist of the film.
But the definition of "film soup" can also be easily deduced from the performance and characteristics of the plot, in which elements are different (but mostly totally disconnected from each other) and from many different genres and so it is therefore difficult make concrete and specific examples to explain the best latter 's dynamic just described.
Finally I would like to emphasize a strong pathos determined by many loving and sentimental elements that are present in this whole "saga" dedicated to dance, but perhaps even more so in this' last film, in which this vein makes it almost embarrassingly pathetic vision.
However, what these three films is not lost in the course of their film development and the beauty of the choreography and various stage effects used for the conduct of 'many' dance sequences, but then the question arises: if the effects levassimo and the choreography, what remains of this film ..!?
Viewers 'difficult decision'.
Lk 
INTRODUCTION:
The film that I propose today is certainly not a typical film that deserves the definition of "invincible" or "unique", but then I do not believe in discrimination in the film "judge and" ingiudicabili "and then in the following lines I will endeavor in its description and analysis of this feature, just like I did with any other movie, I just hope that the 'whole' is interesting.
PLOT: After a starting
know where some of the protagonists of the film explaining what is and what dance means to them, we find ourselves in the midst of a battle to the sound of dance steps including Robert (Adam Sevani), a student at New York University called Muso and some street dancers.
Muzzle scatenatissimo will be launched in fray and will prevail on the leader of the feared Samurai, but two police officers poured into the middle of the exhibition with the intention to arrest him degrade the triumph. Muzzle
will give way to escape aided by Luke (Rick Malambri), a guy who was filming with a video camera impressed by his skill and a talent that might be useful, given that both he and his coterie of dancers are going to be evicted from their meeting, if they find time to take the amount required to stabilize the rent arrears. The only way to gather enough
the amount needed to win one of the most spectacular team competitions in the city, which will compete on the dance floor different crew of dancers, even Luke with his Pirates aspires to the title and the prize and the opportunity to recruit and muzzle Natalie (Shami Vinson), a girl with beauty and talent that for some time visiting the refuge Pirates.
REVIEW:
"Step Up 3D" is the third episode of the 'saga' (if such can be defined) to dance on all those types of dances called "street" even though in the latter film are numerous variations between the the most important music, which is more typical of the nn world of hip hop or break battle, but is usually derived from the electronic music or modern dance (so not really a genre hip hop ...!). So this film can be easily defined as a "film soup" in which there are only nn break dance or hip hop, but the parkour (the sport spread from qualke years on the outskirts of the Italian cities) and many other items that do not concern definitely the theme of dance such as the interest in film direction shown by the protagonist of the film.
But the definition of "film soup" can also be easily deduced from the performance and characteristics of the plot, in which elements are different (but mostly totally disconnected from each other) and from many different genres and so it is therefore difficult make concrete and specific examples to explain the best latter 's dynamic just described.
Finally I would like to emphasize a strong pathos determined by many loving and sentimental elements that are present in this whole "saga" dedicated to dance, but perhaps even more so in this' last film, in which this vein makes it almost embarrassingly pathetic vision.
However, what these three films is not lost in the course of their film development and the beauty of the choreography and various stage effects used for the conduct of 'many' dance sequences, but then the question arises: if the effects levassimo and the choreography, what remains of this film ..!?
Viewers 'difficult decision'.
Lk
Tuesday, October 26, 2010
Yg Entertainment 2010
'The presentations due ..!'
I present to you all my little blog dedicated entirely to film critic .. So whenever I happen to go to the movies or watch any preview, here you will find reviews of small profits to be able to choose movies to watch at the cinema or simply to rent the video store near you ..
So I hope to build a blog nn based only on my post and what I write, but also on your answers and your opinions, indispenbili to create a sort of public conversation about different films that I will propose.
thank everyone in advance.
Lk 
I present to you all my little blog dedicated entirely to film critic .. So whenever I happen to go to the movies or watch any preview, here you will find reviews of small profits to be able to choose movies to watch at the cinema or simply to rent the video store near you ..
So I hope to build a blog nn based only on my post and what I write, but also on your answers and your opinions, indispenbili to create a sort of public conversation about different films that I will propose.
thank everyone in advance.
Lk
Saturday, October 23, 2010
Build Your Own Humanoid
CANNIBAL MOVIE
In 1972 Umberto Lenzi, multifaceted and versatile Italian director, inadvertently leads to the big screen the subject cannibals. In The land of wild sex real adventure blends the old ideology of the world-shocking movie Jacopetti and Prosperi. The film contains some elements of the classic cannibal movie but can not gather all the necessary aspects to be considered a true progenitor of the genre, and are more plausibly a precursor. The real turning point occurs with Last cannibal world Ruggero Deodato and five years later represents the first real cannibal movie history. The film's producer, Giorgio Carlo Rossi (former producer of The land of wild sex), he wants a film that casts his hand on the gore and violence and submits the film to Lenzi, who rejects the direction and passes it to a young talented, or Ruggero Deodato. The film is inspired by a true story in 1975 on the island of Mindanao. The strength of the film lies in engaging the viewer in a claustrophobic and full of horror, then stun him with strong images of violence on men and animals. In the same year Aristide
Massacesi (Joe D'amato) signature Emanuelle and the last cannibals, played by the inevitable Laura Gemser in the shoes of a reporter. D'amato contaminates the cannibal genre with the erotic in a sort of combination of love and death. In the first part of the film is examined the appearance of the erotic film while the second part, everything is sacrificed to the more extreme gore. Sergio Martino in 1978 when we made The mountain cannibal god, following the wake of the combination of sex-violence. The film alternates scenes of naked un'Ursula Andress in great shape, scenes of great visual impact in which the victims (men and animals) suffering sadistic torture. 1979 is the year of change: Ruggero Deodato back to the cannibal genre in its own way, giving the public the celeberimmo Cannibal Holocaust.
Without a doubt the best film of the genre. This is a series of blows to the stomach, violence emerges naked and shows all its power to viewers. The canons of the cannibal movie are extremes and reach heights never touched before. All is through the work of Riz Ortolani, a sweet repetitive music that highlights the most extreme scenes, capable to drop the viewer into a surreal atmosphere that makes it vulnerable to the images presented. Precisely for these reasons, the film went to meet the strict measures that the Italian justice system as well as freeze for four years, gave substantial fines for most of the cast. Only an appeal to the Supreme Court was able to release the film, but now after years away and deprived of many scenes, Cannibal Holocaust passed almost unnoticed. In 1980, Lenzi returns to the cannibal with Eaten alive!, Violent film but, despite the producer and director minimize, recycle a lot of material from other films such as The Mountain of the Cannibal God and Last cannibal world. In the same year released by Marino Girolami's Zombie Holocaust, bill with a film of low splatter exasperated moments in between a cannibal and a zombie movie. The genre back to its original splendor in 1981 with Umberto Lenzi's Cannibal Ferox.
The film is second only to Cannibal Holocaust in terms of violence, legal problems and complaints. The film came at the express request of German dealers from the village who remember the wild sex, they wanted a new feature film directed by Lenzi but with more blood and more gore. Despite the many similarities with the film by Deodato, Cannibal Ferox is one of the most effective of its kind. In 1984 Michele Massimo Tarantini differs from comedy sexy moving to the cannibal genre is born so naked and wild. The film is Tarantino a mixture of comedy and adventure that only flows for about half an hour in cannibalistic trend in each case giving some thrills. The cannibal movie is now on the wane in 1985 when Hell goes live, last piece of the trilogy of Deodato. The film is far from its predecessors and remember them only for the gore scenes and the environment. The biggest problem is hell live in the different intentions of the director and producer, the first film would focus more on the adventure and the second a sort of response to Cannibal Holocaust.
With this effort finally closes the vein of the cannibal movie.
Filmography
The country's wild sex (1972) Umberto Lenzi
Rassimov With Ivan, Me Me Lay, Prasitsak Singhara, Sulallewan Suxantat.
A British photographer flees to Bangkok after a homicide to take refuge in the jungle dark, but ends up being captured and enslaved by the savages. After a brief period the player can win the trust of indigenous and marries a woman of tribù.Tanta is the esteem in which he'll lead the village against enemies cannibals.
Last cannibal world (1977) by Ruggero Deodato
With Ivan Rassimov, Massimo Foschi, Me Me Lay.
Two researchers, Robert and Rolf, landed in fortunate circumstances in a base camp in the jungle, they discover that it is now deserted and seems to have been the scene of a battle. The two, along with the pilot area, hiked into the jungle and are attacked by cannibals. The pilot suffered the worst, while Robert and Rolf can run along the river thanks to a raft they built. While browsing, however, the boat falls apart because of quick, separating the two friends. One of them is able to gain the shore and begins to wander through the forest until he is captured by the tribe of Managua. While imprisoned, the student treated as an animal is forced to watch the gruesome rituals of cannibals. After a daring escape in which he takes as hostage a young woman of the tribe, managed to find the friend with whom to organize the journey back to the plane.
Emanuelle and the last cannibals (1977) by Joe D'amato
By Gabriele Tinti, Susan Scott, Laura Gemser, Donald O'Brien.
Photographer Emanuelle along with an anthropologist and two tourists met by chance, find traces of the tribe of Apiaca having seen an episode of cannibalism in New York. Will be the same Apiaca find them and it's up to Emanuelle try to save her and her friends.
The mountain of the cannibal god (1978) Sergio Martino
With Ursula Andress, Claudio Cassinelli, Antonio Marsina.
Susan arranges with his brother and an adventurer traveling to New Guinea Ritov & her husband mysteriously disappeared. After many vicissitudes, and the meeting of a doctor (Manolo), the group ends up in the hands of cannibals, the "men of mud", which reduce them to slavery. Manolo will be looking for a possible escape route.
Cannibal Holocaust (1979) by Ruggero Deodato
With Luca Barbareschi, Francesca Ciardi, Robert Kermann.
Professor Monroe went to the jungle to look for four documentary filmmakers disappeared. These are dead, and they remain the only film shot: the shootings reveal a chilling truth.
Eaten alive! (1980) Umberto Lenzi
With Janet Agren, Mel Ferrer, Paola Senatore, Ivan Rassimov, Robert Kermann.
Sheila left for New Guinea in search Diana's sister, who, as part of a sect that preaches a return to nature, is lost for months. Together with an American adventurer will find the village where he established the congregation and a fierce tribe of cannibals. Both the followers that the natives will test Sheila and his companions.
Zombi Holocaust (1980) Marino Girolami
With Ian McCulloch, Sherry Buchanan, Alexandra Delli Colli. A policeman and an anthropologist
go on the island of Kido (Moluccas) to investigate some cases of cannibalism in an American clinic. Arrived on the spot will have to fight against the cannibals and against the undead, the result of an experiment of a mad scientist who transplanted brain in the body the natives.
Cannibal Ferox (1981) Umberto Lenzi
By Lorraine De Selle, John Bartha, Brian Redford.
Gloria, a student of anthropology, organized an expedition in the Amazon to prove that the myth of the cannibal is born only to justify the wickedness of white settlers. On site will encounter a pair of cruel smugglers who tortured the natives for their sinister purposes. Revenge of the cannibals will be atrocious.
Nude and Wild (1984) by Michele Massimo Tarantini
Sopkiw With Michael, Suzanne Carvalho. A very
assortment of people (a atropologo with her daughter, a former officer and his wife, a photographer, an adventurer and two models) on the road to Manaus, ends after a crash landing in the jungle. After escaping the cannibal survivors will have to deal with a sinister dealer of diamonds.
Hell Live (1985) by Ruggero Deodato
By Leonard Mann, Lisa Blount, Willie Aames.
Two reporters filming some murders of Colombian traffickers due to Colonel Horne. In search of the military (which is officially dead), the two journalists will encounter in the massacres committed by the savages led by Horne himself. Will they take everything live.
Cannibal Holocaust Cannibal Holocaust
Define a cannibal movie is certainly erroneous. Cannibal Holocaust cannibal movie. The film hits by Deodato stomach and heart like no other film like this has ever been able to do. Regardless of stracitate gore scenes, the film rests on a solid history and on un'azzeccatissima soundtrack that differs from all other examples of the genre. The plot is simple but ingenious. Professor Monroe, noted anthropologist, travels to the Amazon jungle to search for missing four months before the documentary in the middle of a news report. During the search in the jungle Monroe discovered that reporters were killed by cannibals, then returned to New York with coils from their films, is aware of the horrendous truth: documentary filmmakers can not find enough shocking material costs have created a brutal situations savages, causing them to revolt. The film is a sort of example of how civilized men may be more brutal and violent savages themselves. Thesis shows that contrasting the behavior of the indigenous
in the first part of the film (frightened, docile and almost available) with that of the end of the film (violent, angry and mercilessly). The idea came to Deodato, tired of seeing horrifying images in the news filmed by unscrupulous journalists.
The film was completed in six weeks, five of them in the jungle and one of New York and Rome. The realization of Leticia Colombian island was at least problematic. All the movements of the crew took place aboard a canoe, crossing the length and breadth of the worthy threat Amazon. The work was very accurate on a technical level. Deodato himself ruined the film shot by the reporter to make them look authentic. The infamous scene of the woman was impaled made by cutting the pole in two and putting one end on the ground and the other in the mouth to the appearance. The lower end was a seat of a bicycle stuck with an iron bar on the back. The result is there for all to see. Of course another key issue was the soundtrack by Riz Ortolani, chosen by the director mindful of the songs he composed for Mondo Cane.
The music theme of the film becomes clearly in opposition with the raw images that parade on the screen. The viewer is stunned, trapped by the union involved and that is created between the two components. That said you can start talking about the gore. Cannibal Holocaust one of the most violent film ever made. Blood and guts appear constantly throughout the film as a kind of holocaust that strikes all living beings indiscriminately. The violence against the stage actors (legs cut off, buried fetuses, rapes, etc..) To the real animal. The latter (in particular the murder of the tortoise) remained in the collective imagination more than anything else in the film. Deodato said about that he had no problem to shoot these scenes because he was accustomed to witness the killing of rabbits and pigs on the farm of his grandfather.
addition to this he claimed that the turtle was actually eaten as usual there. The film suffered bitter complaints in many states and in Italy it was even withdrawn, in part because they were initially passed off as real images taken by reporters in order to increase the impact on the public. In this respect, the actors were asked to go for one year from circulation in order to feed the veracity of the story. The agreement was not respected because Deodato same cast called to court to defend himself against accusations of murder. Part of the crew suffered fines and penalties and in some cases even to imprisonment. Deodato also had to produce evidence to show that the scene of the woman was impaled result of a scenic effect and therefore not real. What's more the director, he acquired a bad reputation that kept him away from the camera for a very long period. Now years later the movie became a real cult movie and the various legal troubles are a distant memory. A Deodato was also proposed a continuation of "Cannibal Holocaust" but he pledged to "live in Hell" and not happy with the salary offered to him declined. 
In 1972 Umberto Lenzi, multifaceted and versatile Italian director, inadvertently leads to the big screen the subject cannibals. In The land of wild sex real adventure blends the old ideology of the world-shocking movie Jacopetti and Prosperi. The film contains some elements of the classic cannibal movie but can not gather all the necessary aspects to be considered a true progenitor of the genre, and are more plausibly a precursor. The real turning point occurs with Last cannibal world Ruggero Deodato and five years later represents the first real cannibal movie history. The film's producer, Giorgio Carlo Rossi (former producer of The land of wild sex), he wants a film that casts his hand on the gore and violence and submits the film to Lenzi, who rejects the direction and passes it to a young talented, or Ruggero Deodato. The film is inspired by a true story in 1975 on the island of Mindanao. The strength of the film lies in engaging the viewer in a claustrophobic and full of horror, then stun him with strong images of violence on men and animals. In the same year Aristide
Massacesi (Joe D'amato) signature Emanuelle and the last cannibals, played by the inevitable Laura Gemser in the shoes of a reporter. D'amato contaminates the cannibal genre with the erotic in a sort of combination of love and death. In the first part of the film is examined the appearance of the erotic film while the second part, everything is sacrificed to the more extreme gore. Sergio Martino in 1978 when we made The mountain cannibal god, following the wake of the combination of sex-violence. The film alternates scenes of naked un'Ursula Andress in great shape, scenes of great visual impact in which the victims (men and animals) suffering sadistic torture. 1979 is the year of change: Ruggero Deodato back to the cannibal genre in its own way, giving the public the celeberimmo Cannibal Holocaust.
Without a doubt the best film of the genre. This is a series of blows to the stomach, violence emerges naked and shows all its power to viewers. The canons of the cannibal movie are extremes and reach heights never touched before. All is through the work of Riz Ortolani, a sweet repetitive music that highlights the most extreme scenes, capable to drop the viewer into a surreal atmosphere that makes it vulnerable to the images presented. Precisely for these reasons, the film went to meet the strict measures that the Italian justice system as well as freeze for four years, gave substantial fines for most of the cast. Only an appeal to the Supreme Court was able to release the film, but now after years away and deprived of many scenes, Cannibal Holocaust passed almost unnoticed. In 1980, Lenzi returns to the cannibal with Eaten alive!, Violent film but, despite the producer and director minimize, recycle a lot of material from other films such as The Mountain of the Cannibal God and Last cannibal world. In the same year released by Marino Girolami's Zombie Holocaust, bill with a film of low splatter exasperated moments in between a cannibal and a zombie movie. The genre back to its original splendor in 1981 with Umberto Lenzi's Cannibal Ferox.
The film is second only to Cannibal Holocaust in terms of violence, legal problems and complaints. The film came at the express request of German dealers from the village who remember the wild sex, they wanted a new feature film directed by Lenzi but with more blood and more gore. Despite the many similarities with the film by Deodato, Cannibal Ferox is one of the most effective of its kind. In 1984 Michele Massimo Tarantini differs from comedy sexy moving to the cannibal genre is born so naked and wild. The film is Tarantino a mixture of comedy and adventure that only flows for about half an hour in cannibalistic trend in each case giving some thrills. The cannibal movie is now on the wane in 1985 when Hell goes live, last piece of the trilogy of Deodato. The film is far from its predecessors and remember them only for the gore scenes and the environment. The biggest problem is hell live in the different intentions of the director and producer, the first film would focus more on the adventure and the second a sort of response to Cannibal Holocaust.
With this effort finally closes the vein of the cannibal movie.
Filmography
The country's wild sex (1972) Umberto Lenzi
Rassimov With Ivan, Me Me Lay, Prasitsak Singhara, Sulallewan Suxantat.
A British photographer flees to Bangkok after a homicide to take refuge in the jungle dark, but ends up being captured and enslaved by the savages. After a brief period the player can win the trust of indigenous and marries a woman of tribù.Tanta is the esteem in which he'll lead the village against enemies cannibals.
Last cannibal world (1977) by Ruggero Deodato
With Ivan Rassimov, Massimo Foschi, Me Me Lay.
Two researchers, Robert and Rolf, landed in fortunate circumstances in a base camp in the jungle, they discover that it is now deserted and seems to have been the scene of a battle. The two, along with the pilot area, hiked into the jungle and are attacked by cannibals. The pilot suffered the worst, while Robert and Rolf can run along the river thanks to a raft they built. While browsing, however, the boat falls apart because of quick, separating the two friends. One of them is able to gain the shore and begins to wander through the forest until he is captured by the tribe of Managua. While imprisoned, the student treated as an animal is forced to watch the gruesome rituals of cannibals. After a daring escape in which he takes as hostage a young woman of the tribe, managed to find the friend with whom to organize the journey back to the plane.
Emanuelle and the last cannibals (1977) by Joe D'amato
By Gabriele Tinti, Susan Scott, Laura Gemser, Donald O'Brien.
Photographer Emanuelle along with an anthropologist and two tourists met by chance, find traces of the tribe of Apiaca having seen an episode of cannibalism in New York. Will be the same Apiaca find them and it's up to Emanuelle try to save her and her friends.
The mountain of the cannibal god (1978) Sergio Martino
With Ursula Andress, Claudio Cassinelli, Antonio Marsina.
Susan arranges with his brother and an adventurer traveling to New Guinea Ritov & her husband mysteriously disappeared. After many vicissitudes, and the meeting of a doctor (Manolo), the group ends up in the hands of cannibals, the "men of mud", which reduce them to slavery. Manolo will be looking for a possible escape route.
Cannibal Holocaust (1979) by Ruggero Deodato
With Luca Barbareschi, Francesca Ciardi, Robert Kermann.
Professor Monroe went to the jungle to look for four documentary filmmakers disappeared. These are dead, and they remain the only film shot: the shootings reveal a chilling truth.
Eaten alive! (1980) Umberto Lenzi
With Janet Agren, Mel Ferrer, Paola Senatore, Ivan Rassimov, Robert Kermann.
Sheila left for New Guinea in search Diana's sister, who, as part of a sect that preaches a return to nature, is lost for months. Together with an American adventurer will find the village where he established the congregation and a fierce tribe of cannibals. Both the followers that the natives will test Sheila and his companions.
Zombi Holocaust (1980) Marino Girolami
With Ian McCulloch, Sherry Buchanan, Alexandra Delli Colli. A policeman and an anthropologist
go on the island of Kido (Moluccas) to investigate some cases of cannibalism in an American clinic. Arrived on the spot will have to fight against the cannibals and against the undead, the result of an experiment of a mad scientist who transplanted brain in the body the natives.
Cannibal Ferox (1981) Umberto Lenzi
By Lorraine De Selle, John Bartha, Brian Redford.
Gloria, a student of anthropology, organized an expedition in the Amazon to prove that the myth of the cannibal is born only to justify the wickedness of white settlers. On site will encounter a pair of cruel smugglers who tortured the natives for their sinister purposes. Revenge of the cannibals will be atrocious.
Nude and Wild (1984) by Michele Massimo Tarantini
Sopkiw With Michael, Suzanne Carvalho. A very
assortment of people (a atropologo with her daughter, a former officer and his wife, a photographer, an adventurer and two models) on the road to Manaus, ends after a crash landing in the jungle. After escaping the cannibal survivors will have to deal with a sinister dealer of diamonds.
Hell Live (1985) by Ruggero Deodato
By Leonard Mann, Lisa Blount, Willie Aames.
Two reporters filming some murders of Colombian traffickers due to Colonel Horne. In search of the military (which is officially dead), the two journalists will encounter in the massacres committed by the savages led by Horne himself. Will they take everything live.
Cannibal Holocaust Cannibal Holocaust
Define a cannibal movie is certainly erroneous. Cannibal Holocaust cannibal movie. The film hits by Deodato stomach and heart like no other film like this has ever been able to do. Regardless of stracitate gore scenes, the film rests on a solid history and on un'azzeccatissima soundtrack that differs from all other examples of the genre. The plot is simple but ingenious. Professor Monroe, noted anthropologist, travels to the Amazon jungle to search for missing four months before the documentary in the middle of a news report. During the search in the jungle Monroe discovered that reporters were killed by cannibals, then returned to New York with coils from their films, is aware of the horrendous truth: documentary filmmakers can not find enough shocking material costs have created a brutal situations savages, causing them to revolt. The film is a sort of example of how civilized men may be more brutal and violent savages themselves. Thesis shows that contrasting the behavior of the indigenous
in the first part of the film (frightened, docile and almost available) with that of the end of the film (violent, angry and mercilessly). The idea came to Deodato, tired of seeing horrifying images in the news filmed by unscrupulous journalists.
The film was completed in six weeks, five of them in the jungle and one of New York and Rome. The realization of Leticia Colombian island was at least problematic. All the movements of the crew took place aboard a canoe, crossing the length and breadth of the worthy threat Amazon. The work was very accurate on a technical level. Deodato himself ruined the film shot by the reporter to make them look authentic. The infamous scene of the woman was impaled made by cutting the pole in two and putting one end on the ground and the other in the mouth to the appearance. The lower end was a seat of a bicycle stuck with an iron bar on the back. The result is there for all to see. Of course another key issue was the soundtrack by Riz Ortolani, chosen by the director mindful of the songs he composed for Mondo Cane.
The music theme of the film becomes clearly in opposition with the raw images that parade on the screen. The viewer is stunned, trapped by the union involved and that is created between the two components. That said you can start talking about the gore. Cannibal Holocaust one of the most violent film ever made. Blood and guts appear constantly throughout the film as a kind of holocaust that strikes all living beings indiscriminately. The violence against the stage actors (legs cut off, buried fetuses, rapes, etc..) To the real animal. The latter (in particular the murder of the tortoise) remained in the collective imagination more than anything else in the film. Deodato said about that he had no problem to shoot these scenes because he was accustomed to witness the killing of rabbits and pigs on the farm of his grandfather.
addition to this he claimed that the turtle was actually eaten as usual there. The film suffered bitter complaints in many states and in Italy it was even withdrawn, in part because they were initially passed off as real images taken by reporters in order to increase the impact on the public. In this respect, the actors were asked to go for one year from circulation in order to feed the veracity of the story. The agreement was not respected because Deodato same cast called to court to defend himself against accusations of murder. Part of the crew suffered fines and penalties and in some cases even to imprisonment. Deodato also had to produce evidence to show that the scene of the woman was impaled result of a scenic effect and therefore not real. What's more the director, he acquired a bad reputation that kept him away from the camera for a very long period. Now years later the movie became a real cult movie and the various legal troubles are a distant memory. A Deodato was also proposed a continuation of "Cannibal Holocaust" but he pledged to "live in Hell" and not happy with the salary offered to him declined.
Thursday, October 21, 2010
How To Whiten Old Grout
It is time, now
" The power that comes from the spirit is undefined, only the infinite God, but also each of us learns to vibrate the spirit a wavelength bounces to the absolute divine and pleasant without endless denials "(Richard Fenizia, THOUGHTS) hello hello by Riccardo
Find time to think:
is the source of power.
Take time to dream is
attach your wagon to a star.
Find time to read:
is the foundation of wisdom.
Find time for friendship
is the road to happiness.
Find
time to love and be loved:
is the privilege of the gods.
Find time to help others:
the day is too short to be selfish.
Find time to laugh:
is the music of the soul.
(Old Irish Prayer) 
" The power that comes from the spirit is undefined, only the infinite God, but also each of us learns to vibrate the spirit a wavelength bounces to the absolute divine and pleasant without endless denials "(Richard Fenizia, THOUGHTS) hello hello by Riccardo
Find time to think:
is the source of power.
Take time to dream is
attach your wagon to a star.
Find time to read:
is the foundation of wisdom.
Find time for friendship
is the road to happiness.
Find
time to love and be loved:
is the privilege of the gods.
Find time to help others:
the day is too short to be selfish.
Find time to laugh:
is the music of the soul.
(Old Irish Prayer)
Wednesday, October 20, 2010
How To Make Pokemon Out Of Thermocol
FLY
"We are equipped with a free spirit. He tries to rise above the low physiological needs to breathe deeply the power and value of your dignity. 'As the chickens do not fly when you can soar like eagles' says my friend the saint, fly high "(Richard Fenizia, THOUGHTS) by Riccardo hello hello to all dear friends and friends 
"We are equipped with a free spirit. He tries to rise above the low physiological needs to breathe deeply the power and value of your dignity. 'As the chickens do not fly when you can soar like eagles' says my friend the saint, fly high "(Richard Fenizia, THOUGHTS) by Riccardo hello hello to all dear friends and friends
Wednesday, October 6, 2010
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Nothing from nothing, God is
" From nothing nothing in Him we move and we exist without him, if you have other idea tell? According to the logic of the divine Being intelligent and kind and without cause, simply is, while all of us and all things - except the source and cause ...- they cause, interdependent of each other, ergo we are not being , we have to be participating and we are kept alive from moment to moment in space-time also from the Eternal Being in essence, that is what everyone calls God "(Richard Fenizia, thoughts), hello, hello to Richard and good afternoon to all and to all dear and beloved 
" From nothing nothing in Him we move and we exist without him, if you have other idea tell? According to the logic of the divine Being intelligent and kind and without cause, simply is, while all of us and all things - except the source and cause ...- they cause, interdependent of each other, ergo we are not being , we have to be participating and we are kept alive from moment to moment in space-time also from the Eternal Being in essence, that is what everyone calls God "(Richard Fenizia, thoughts), hello, hello to Richard and good afternoon to all and to all dear and beloved
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