PLOT:
The first part begins with Harry, Ron and Hermione leave for a dangerous mission to track down and destroy the secret of immortality of Voldemort's Horcruxes. Alone, without guidance from their professors or the protection of Professor Dumbledore, the three friends more than ever must rely on yourself. But there are dark forces in their midst who threaten to tear them apart. Meanwhile, the wizarding world has become a dangerous place for all enemies of the Dark Lord. The long-dreaded war started and the Death Eaters Voldemort took control of the Ministry of Magic, and even Hogwarts, terrorizing and arresting anyone who might oppose them. But the prize more valuable to Voldemort that Harry Potter is still trying. The Wicker Man has become the prey while the Death Eaters Harry try with orders to bring him to Voldemort ... vivo. Harry's only hope is to find the Horcruxes before Voldemort are. But in his search for clues, he discovers an old and nearly forgotten story about the legend of the Deathly Hallows. And if the law turns out to be true, could give the power that Voldemort is looking for. Harry can do little knowing that his future has already been decided in his past, when, on that fateful day, it became "The boy who survived." But it is no longer just a boy, Harry Potter is getting closer to the task for which was prepared from the first day he entered at Hogwarts: the final battle with Voldemort.
INTRODUCTION:
'Harry Potter', 'Matrix' and 'Lord of the Rings' are the three films that are more sub-genres of fantasy: in the first we find a real distinction between magicians and not (so-called Muggle), in the second reality is seen as a result of the calculation software, the third presents a completely different world from the one seen (and it is this feature to determine the length of the various chapters of the saga). So Harry Potter might be called a kind of realization of the dynamics that dominate stories, in simple terms, the saga of the boy wizard would be that fantasy that we have always been accustomed to think and read, and for these reasons that the first set I much prefer than the other two genres.
REVIEW:
I started to see the films about Harry Potter just for fun, confining them only to the world of children (considered quite common), but with the unfolding of the saga I began to realize that what initially considered child had within it the elements of interest such as a series of quotations from ancient myths not only of Westerners, but also with elements drawn from ancient alchemical magic (not only element that creeps into some of the most important episodes in modern history but even in some of the most emblematic figures of the story itself) and of course everything has tweaked my curiosity and desire to understand how a history of Wizards could contain so many different features and elements. All these items listed above have not been useful to hide some of the defect in the Harry potter and one of the many (in my opinion the most obvious) is the 'Repeatable narrative schema' especially in the first four episodes, in which the viewer is led to believe and follow a story and then deny it in the last sequences with a small twist accompanied by a progressive decrease of tension that creates a parallel decline in spectator interest. A final 'fault' (if such can be defined) that I found the whole saga is the presence of entire film transition (and repetitive), such as the fifth and the fourth part.
But more to the point entering the final chapter of the saga, we highlight different aspects: First, we define a feature film is no longer suitable for children for the presence of substantial and gruesome scenes of tense and violent in a sense make it more attractive to an older audience. A second aspect to highlight (and I think the most important) is the political mood was quietly introduced in the film's plot, in fact, closely following the course of the narrative scheme we realize something already seen in some film historians, but especially in those relating to the birth of the 'Third Reich', in which there is a strong element of persecution, intolerance and conquest of power by not disregard and contempt for the law, in fact, this first part of the sixth film ends with the ascent the power of the lord of evil through a sort of coup and establishing a state body monitoring paramilitary almost (and Lord Voldemort somehow goes through the same stages of Hitler's regime with the construction of the first half of the '30s). So we may consider this film, or rather the structure of the entire film, as something already seen, is already known, that has little to do with the story of Harry Potter (I mean the construction of this 'regime') despite throughout the saga there is a''continuous''struggle between good and evil (but a different kind).
Despite my negative opinion tends, I must admit that the movie was enjoyable for the many special effects and scenes 'Action' (scarce items in the other five chapters) that somehow animate the emptiest parts and boring in the movie.
Finally, I would hope that the last part, that is the second part of this sixth film, can skip this vein devoted solely to that original policy that somehow led to the success of the entire saga.
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